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One of the neatest things in cinema was when David Carradine in the old Kung Fu TV series walked on the rice paper. Rice paper is extremely thin, and the moisture on the sole of the foot, along with the weight of the body, was enough to tear the stuff. The legend, of course, was there is this thing called Light Kung Fu, where one could actually make the body lighter, maybe even levitate it.

Now, me and my friends would watch David Carradine, Kwai Chang Caine, and wish we had a kung fu master to teach us how to walk on rice paper. Why, we could do all sorts of things if we could only know Light Kung Fu! Bad guys would be nothing if we had that awesome ability!

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Whap, bam and ka-zowie! We watch the silver screen, and we see kung fu flips in the Matrix movies and sword standing and eye gouging in Kill Bill and we know we have seen the real masters! Wake up, dude, that’s a a bunch of actors, and what the real masters have done would put those cinema heroes to shame.

Gichin Funakoshi is considered a pivotal karate master. He brought karate to Japan, and thence to the world. If that isn’t considered feat enough, why don’t you go stand on a rooftop during a hurricane and hold a sheet of plywood?

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In part one we discussed that a person has to know something, and not just in the general monkey see monkey do sense of the current legion of so called masters. This article has to do with the second and even more important missing ingredient upon the part of todays masters. This article has to do with the amount of knowledge a master must have to be a Master.

Yes, a fellow can study an art and say he has mastered that art. He can get so good at karate, for instance, that nobody can beat him. That, however, doesn’t make him a master.

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